Dave Matthews & Tim Reynolds

I'm a huge fan of Dave Matthews, and possibly an even bigger fan of his "solo" concerts with Tim Reynolds. I've seen them twice live, and of course have the Live at Luther College CD as well as several recordings from shows they have given.

But woe is me. I saw an announcement that they were going to play at Radio City Music Hall on April 22 and decided it was too expensive to go down there for a show; but I missed the announcement that they will be playing at Amherst College, MA on April 21 (and the tickets are all sold out now. :( )

Massey Hall

I got the Neil Young at Massey Hall CD/DVD package a few days ago. The audio CD is definitely worth getting; great performances of classic Neil songs.

The DVD is an interesting beast; the footage is fairly low quality (maybe shot on 16mm or even 8mm) and it has a lot of grain to it either as a result of the poor lighting, the film stock, or both. While the performances are fairly well shot, there's nothing of the pre-post song banter [NOTE: I've read that the audio is from the Massey Hall concert, but that the footage might actually be from a different concert of similar vintage, and that's why there's no footage of the banter, etc.]

It's certainly an interesting window on what it was like to see Neil play back then, but I'm not sure that it really makes for compelling viewing; I'm not sure that I'm going to watch it again and again.

There is some interesting ancilliary footage, and the 'Extras' are definitely worth a look, if nothing else than to see the person he wrote the song 'Old Man' about.

Lap Tapping

My first exposure to guitar tapping was seeing Kaki King opening for Richard Thompson. Blew me away that you could play a guitar that way.

Today I came across a clip of Erik Mongrain, who plays 'lap tapping' (essentially the same as regular tapping, but sitting down!) Pretty amazing.

Gibson Guitar Stuff

Not that I'm a huge Gibson guitar fan, but they announced a few days ago the Gibson Custom Shop Jimmy Page 1275 "Aged" Double Neck Electric Guitar at $30,000 each, and now they have announced that they have sold out nine of the 26 they plan to make.

Well, fun.

Even more fun; they have announced the "Cleveland Rocks! Guitar Art Project," which sounds vaguely like the decorated cow parade that has attacked many cities. In this case, local artists are invited to paint/decorate a guitar, which will be auctioned off for charity.

McCartney Signs With Starbucks

Starbucks has been dabbling in music for some time, but now they are getting serious - guess there's just not enough money in coffee. Paul McCartney is the first artist signed to Starbucks Corp.'s new record label, Hear Music.

In terms of album sales, McCartney's chart topping days are past; but he's still a big name.

Starbucks seems primarily interested in astablished acts that appeal to baby boomers (didn't they distribute Dylan and Stones albums?) it's not clear how they would - or if they could - handle fledgling acts.

Colbert And Nelson

I've been a fan of the Colbert Report since it began. It has it's ups and down's, and sometimes it seems a bit repetitive - or maybe I just need a break - but some days it's just magic.

Yesterday's show was one of those. Willie Nelson was the guest, and there was a running gag about Willie's ice cream (Ben & Jerry's have released ice cream for both Willie and Stephen.) Then Stephen brought out Ambassador Richard Holbrooke to broker peace.

All good fun, but then it went one better when Willie performed "On the Road Again," Stephen came out and joined him on the second verse, and then Holbrooke came out and sang with them too! And stage manager "Bobby" got to play rhythm guitar guitar with Willie - lucky b$##%!!

Maybe not great music, but a fun moment.

Robber Soul Cover Using Legos

Digger Digger Dogstar on Flickr has posted a series of Beatles album covers remade using Legos. They are pretty cute. Rubber Soul is my favorite, along with the Hard Day's Night cover.

Mojo Does Sgt Peppers

The March issue of Mojo Magazine has a cover story on Sgt Peppers that has some interesting stuff; interview with George Martin, pics, a list of things that happened the day the album was released, and a CD of covers songs. The latter is kind of interesting; if only because the cover of All You Need Is Love had me thinking that Ringo could have done a better job. Ouch

The only track I really like is the version of Getting Better by Fionn Regan (never heard of him before.) It's a very spare, slowed down acoustic track, and since I like that sort of thing, I like that sort of thing. The rest I have a lot of difficulty listening too (and it's not because I hate all covers; there are a bunch of Beatles covers I do like....just none on this album.)

There were still a bunch at Barnes & Noble last Sunday, but since the magazine website already has June on it, you might want to step lively to get a copy.

The Making of a D-28

Acoustic Guitar magazine has an article (with pictures) showing the steps in building a Martin D-28. Even though I've done the tour three times, it is interesting because you don't really get to see each of the steps in order...

Neil Young - Live at Massey Hall

The first I heard of this was yesterday when I went to Amazon and there was a sample video from this new album/DVD package. It looks very interesting. In trying to find out more about it, I came across a Neil Young News blog, which features a review.

Live at Massey Hall more than just captures Neil Young's triumphant return to his Canadian home town Toronto on January 19, 1971. It provides an intimate portrait of the artist opening himself up to his audience while becoming more confident and comfortable with his rising fame. While Live at Massey Hall has circulated as a bootleg for many years, this is the first time we hear a superb soundboard quality recording that fans have been yearning for with the Archives release series.

[...]In what appears to be an edited recording of 2 performances (early and late shows), the 17 song CD allows us to hear virtually what the Toronto audience experienced over 35 years ago.

If you read much more, you hear about The Archives, which I gather is an all-encompassing venture that Neil has been working on that covers other unreleased material. It *seems* that Massey Hall is a connected - but separate - part; i.e. The Archives, which is expected later in the year, won't include the Massey Hall material. At least, that's what I get from reading the reports on the blog...

[NOTE: I was going to include an image of the album cover, but Blogger isn't allowing me to upload images right now.]

Home Recording Advice

An interesting thread on Harmony Central with some good tips on mixing home audio projects:

...use an EQ to cut the low frequencies (up to as high as 250Hz) in every track, save the bass drum and bass guitar. Cut them too, but only up to 60Hz maybe.

You can find spectrum analyzers that will help you see where frequencies are piling up, but you should mix with your ears. Start low cutting your tracks, and see how that changes things. Also, don't solo your tracks while you EQ - you likely won't like the sounds of your tracks while they're soloed, but they'll fit better in your final mix.

To get some definition on the kick drum, I found the fundamental frequency of the 'click' of the drum beater, and boosted that a bit. I found a boost around 100Hz helped too.I cut the bass guitar in about the same 100Hz region too.

Listening to [your] mixes in a great room and fabulous speakers is a revelation...

...as a general rule I only leave the kick, snare, bass and lead vocal in the center. Only on very rare occasions will anything take over that coveted real estate. Often I'll pan things hard right and left.

If there is a sound (like acoustic guitar or backing vocals) that I want to position so that it is audible in both speakers, i'll often use a stereo delay set at 100% wet, where the left delay is set to 0 ms (no delay) and the right is set to somewhere between 5 and 15 ms. Just that little shift is enough to throw the sound to the sides and leave the center clear for the most essential information, while being virtually indistinguishable to the ear.

Use reverb sparingly. Too much (or poorly eq'ed) reverb makes for all kinds of mess.
Get a hold of a spectrum analyzer, sometimes called a Real Time Analyzer or RTA. I use Voxengo GlissEQ which is just an amazing eq in itself, and is also a fantastic SA. [...]

Try a limiter, multi-band compressor or sonic maximizer. Be careful because it's easy to overdo it and squash the crap out of (or maybe into?) your music...

...Listen to sgt pepper on your monitors over and over again.

Mix at lower volumes. really low even. definately helps with vocal and bass placement and ear fatigue.

Occasionally switch to mono to make sure nothing is sticking out of the stereo field too much (or disappearing).

eBay Lyrical Listing

Martin guitar 12 str with original hard case/ex cond

A Martin guitar is the harmony produced by movement of the celestial spheres, a conception of Pyhagoereran. Once engaged in this instrument is beyond having a fretted fingerboard and the usual 12 strings. Once skilled, this instrument is a professional performer. The harmony produced by the movements of the celestial spheres is engaged in or versed in historical study of music an art. It is stated that Martin, a a masculine personal name is a guitarist.

Hey, I can do this, it is simple.

One Thing Leads To Another

It’s funny how one thing can lead to another on the web.

Just today I saw a posting on Harmony Central about Tascam’s FireOne FireWire Audio Interface. I clicked on it to see what the thing was, not really expecting to actually buy one, whatever it was. It turned out to be a Firewire audio interface that only has two inputs (which at least means it’s probably not as expensive as the other Firewire inputs out there, but may have less of the latency problems of the USB interfaces.) It’s other notable feature is this big jog-shuttle on it. That jog shuttle looks cool; for video editing. For audio editing, I’m not too sure that a jog shuttle is the first thing you want to spend your money on.

But seeing it reminded me how I’d always thought that the M-Audio iControl device looked cool for working with GarageBand, and I’d half heartedly thought of buying one, but never had. Unfortunately, I’ve also just switched to Logic, but it had me wondering if the iControl would work with Logic? Purely out of curiosity, you understand.

I did a search, and the initial articles didn’t look promising. But then I came across an article that suggested that the iControl did work – in a limited fashion – with Logic Pro. Okay, cool.

But, the article also mentioned the Behringer BCF2000 controller desk. For $200 you get a USB controller which has motorized faders.

Motorized faders!

Holy Cow! Now motorized faders is a pretty cool – and usually expensive – feature in audio mixing decks. Suddenly I want one of these things!

And to think. If it wasn’t for Tascam announcing the FireOne, I might have been oblivious to the existence of the BCF2000.

Now I just have to save up for one!

VG Stratocaster

Here's a picture of the VG Stratocaster. This is the business end, and shows; the Roland pickup (closest to the bridge), and selectors for choosing the tuning (Drop D, Open G, Baritone, etc) and the guitar type (Stratocaster, Telecaster, Humbucking and Accoustics.)

The best I can find on pricing and availability are: TBA.

The NAMM Problem

The problem with NAMM is that they announce all this cool stuff, but they often don't - in their press release - announce when the stuff will be available, or how much it costs. Which leaves me scratching around trying to find out.

For example, the Fishman Aura Pedal was announced, but no info on when they will be out, or on cost; though someone on the UMGF said they'd be about $200. Fender also announced the VG Stratocaster, which adds guitar modeling and the ability to switch between tunings and guitar types (like Baritone and 12-string) by turning a knob. Looks cool, but I have no idea what they plan to charge for it, or when it will be available...at least not in the press release. Maybe it's on the website; which is actually kind of fun, but I didn't read EVERYTHING there...

Fishman Aura Imaging Pedals

It's Winter NAMM and lots of fun musical stuff will be announced. Probably.

Fishman has announced the Aura Imaging Pedals. What's Aura? There's been quite a bit of buzz about the Aura technology, particularly about the Martin's that you can get with the system built in (the DC-AURA and the DC-28E to name but two.) People who have used them rave about them.

Aura uses digital algorithms, developed in Fishman’s audio labs, to create an Image of the natural sound that microphones capture in a professional studio. This Image, when played through an amp, mixer, or PA, blends with your instrument’s pickup to produce an immediate and dramatic improvement in your amplified sound.

What's that really mean? Well, for situations where you have to use your guitar with a pickup, the Aura takes the sound from the pickup, does some magic stuff and makes it sound more like the guitar would sound if it was mic'ed rather than plugged in using a pickup.

The Martin guitars come with models customized for those specific guitars, but you can also get the Aura technology as a standalone product. The Fishman Aura Acoustic Imaging Blender comes with a bunch of models included, and you can even get Fishman to create a custom model for your guitar!



Anyway, Fishman has announced the Aura Imaging Pedals. At first I couldn't figure out how these related to the Blender product and it took a few readings to notice: Designed for use with guitars featuring undersaddle or magnetic soundhole pickups, there are Aura Pedals for each of the six major types of acoustic stringed instruments: Dreadnought, Concert, Orchestra, Jumbo, Nylon, and 12-String.

So I'm guessing that the Pedals are not customizable the way the Blender is.

The Blender costs about $400. No price was mentioned for the pedals, but if they are about $120, then it would be a lot more attractive.

I've heard a few people speak highly of the G7th capo, but at $30+ it was a bit too rich for me. And I was very happy with the Kyser caypos that I have (two; because I'm always losing them)

But then, on a whim, I bought myself a G7th and have been using it for a few days and I have to say that I really like it. There's no spring to fight, you just slide it over and push it together and it locks on (what it really does is not release until you push the lever on the back.)

Works very nicely and easily. Expensive, but put it on your list of cool gadgets to get when you have the money.

Makes a nice gift too ;)

Taylor Restringing/Diagnostic Clinic

Taylor Guitar held a Diagnostic Clinic at my favorite guitar store, The Music Emporium today. Taylor owners were invited to bring in their guitar to get a free checkup.

I got down there around 3pm, figuring that it would be best to get there before the crowds showed up. Taylor had two technicians and their North-East region rep there. When I arrived one tech was fitting a new saddle for a 12-string acoustic, while the other was working on a T-5.

I had never seen inside a T-5 before; I didn't know they were hollow! Stupid me, I thought they were solid body. It was also interesting to see that the string holes had a lot of rough edges around them; not a big deal, but there had been a big thread about Martin's with this "defect" a while back on the UMGF so I thought it was amusing to see Taylor's with the exact same issue.



I had taken my 814ce, which has seen a lot less play over the last couple of years because it had become a summer guitar; it had a very slight buzz during winter that had driven me up the wall; so I just stopped playing it in the winter. And then sort of stopped playing it all together.



I explained all this to one of the technicians, Pat, who asked a few questions, and then mentioned a few possible causes of the problem and said that he would check those out. He then set to work.


Applying orange oil and beeswax to the fingerboard
He restrung it, tightened the pegs, checked the action, attached some loose internal wires (from the pickup), cleaned and oiled the fingerboard, and polished the body (with car wax!) Though it wasn't definitive, he thought it possible that the loose wires might have been the cause of the noise.

Once he was finished he declared the guitar to be in fine shape and to just keep on doing what I was doing (I didn't say that what that was had been 'not playing it much!') Still, it was good to know that it had been keeping well, and it almost feels like I have a brand new guitar.

Ehh...I'm Not Sure I'm Interested Now

Being interested in playing with others, I checked out the folkjam website and saw a few things in the Boston area, including an Irish "Slow session" Seisiun.

Not being that knowledgeable about Irish music, I did a web search and found this site which had info and etiquette. In reading it, I started to feel a little unwelcome, particularly as a guitar player. It starts out friendly enough:

Seisiúns are usually open to anyone that wants to join in provided they already know how to play Irish traditional music.

but then goes on:

...you might want to observe it first

...if you don't know the tunes that are being played you wouldn't want to try to play them…

...Trying to learn the tunes at the same time others are trying to play them can be very annoying…

...be careful when joining a session not to start tunes without being asked

…not disturb the way that the music flows.

I'm sure that it's annoying to have people turn up that have no idea what they are doing and bang away, but at the same time, it seemed a little rough. Or maybe I'm too insecure and sensitive.

A Visit To The John Lennon Museum

An interesting read: My Visit to the John Lennon Museum in Saitama, Japan